"Nesting - Great Horned Owl"
By
George McLean
"Nesting - Great Horned Owl" by George McLean
Regular Edition:
Limited Edition on Paper
Edition Size: 450 artist signed and numbered prints
Image Size: 32-1/2" x 18-1/2"
Issue Price: Canadian $350.00; US $300.00
Publisher Sold Out
Price Available Upon Request
Remarque Edition:
Limited Edition on Paper with a remarque, an original pencil drawing, added by the artist in the bottom margin of the print.
Edition Size: 50 artist signed, remarqued and numbered prints
Image Size: 32-1/2" x 18-1/2"
Issue Price: Canadian $750.00; US $600.00
Publisher Sold Out
We
have a complete collection of the four Master Editions George McLean
Remarque Editions available, to be sold as a set, for the original
issue price of Canadian $2,975.00; US $2,375.00.
The set includes: Bobcat - Bluejays, A Narrow Escape - Great Horned Owl
and Squirrel, Nesting - Great Horned Owl, and Winter Deer - White Pines.
"The great
horned owl is a very early nester, often laying her eggs and rearing
her young in snowy, sub-freezing temperatures. The eggs are laid over a
period of days which is evidenced by the disparity in size of the
youngest and oldest owls. Presumably, this helps ensure the survival of
the strongest young when prey is scarce. In lean times, the largest of
the offspring will consume most of the food, either starving th
eothers, or forcing them out of the nest. Cruel though this may seem,
it is nature's way of controlling population and quality of the species.
Most of the incubation is done by the female, who leaves the nest only
occasionally and will sometimes be coated in snow as she covers her
young. When exposed to the cold, young owls suffer and shiver, and so,
require the female's constant attention. The male provides her and her
brood with food, and is very adept and attentive in his
responsibilities.
Horned owls do not build their own nests, using instead old hawks' or
squirrels' nests, or now and then, th ehigh broken stump of a tree. A
couple of years ago, in a dead elm, I saw a nest similar to the one in
my painting; but the one portrayed is a beech tree I designed for the
purpose.
I like to make complicated paintings of animals that would be very
difficult or impossible to photograph. I like the animals to be in
action, or to suggest an attitude that gives the subject character, and
the picture an element of excitement. For instance, if th eadult owl in
my paiting were to suddenly fold up her extended wing, the action, and
a primary design element would disappear, along with my interest in the
composition."
- George McLean
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